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https://www.imdb.com/title/tt2319739/

A student is approached by his future-self, and is sent into a time loop when he ignores his own advice.

Quite a good movie. With a great (albeit slow) pace and a particularly good sound track, I found this quite emotional. However, on second viewing I didn’t like it.

• 2026-01-24

• 2016-12-27

2016-12-27 ∞

• 0:15 — Narration, but I don’t mind.
• 4:30 — Why is he assuming it’s strange that we’re on a water-covered ball floating in nothing?
• 5:15 — He knows their names.. wow.
• 5:15 — “Believe in”
• 5:15 — Mathematically speaking? What now?
• 5:45 — What? No it doesn’t, you fucking armchair-science retard.
• 6:00 — Other people had their hand up before retard spoke, did they lose interest?
• 6:15 — “Believe in nothing”.. this guy is using a lot of buzz-concepts and twisting statements. Not knowing is not knowing.
• 7:00 — Philosophy
• 7:15 — Four. And a half. Hours?
• 9:30 — Well the conversation between the two of them was amazingly stiff..
• 22:00 — Won’t the downers mess him up?

• 23:15 — Brought to you by Powerade

  • It should have been stressed that he’d be drinking energy drinks, or caffeine or the like..
• 25:00 — Why not ask for room 41?
• 32:45 — The same guy is on the second floor doorway looking at them.
• 35:00 — Why call an ambulance for the suicide if he’s going back in time?
• 40:00 — A time machine is not a good place to store a body.
• 43:45 — Stargate – (1994 movie)
• 46:15 — Oh shit! Hahaha!
• 48:45 — Scout (Scouting)
• 52:15 — Why take him out of the building?
• 53:00 — Hacksaw’s don’t work on handcuffs.
• 56:00 — Why wouldn’t they go down to look under entire rows of cars?
• 1:02:00 — Close the hatch.
• 1:03:30 — .. except he can hear you talking.
• 1:05:15 — Good thing he didn’t close the hatch.
• 1:11:30 — Good thing the hotel was still there back then.
• 1:14:30 — “Why not?” was the exact snarky response I thought of back then, and which would have flunked me.

• 1:15:15 — Second floor doorway. Called it.

  • Though it should have shown the two scenes with it, but from a different angle.